On Macbeth's arrival home, soon after his wife hears of the royal visit, she congratulates him on his new dignity and promised royalty, immediately suggesting to his agitated, unwilling mind the murder of their guest and sovereign.3 She is a thoroughly hardened, ambitious woman, resolute and utterly unscrupulous. Her love for Macbeth, upon which so much stress has been laid, seems, when considered in reference to her worldly position and interests, worthy of little, if any, commendation. She knows her fortunes are now linked with his, and that with his increasing power her own will rise proportionately, owing to her influence over him. Shakespeare's noble language alone gives an apparent dignity to a base, shameless character, whose ambition is selfish and worldly. The language with which this hateful woman persuades her brave yet weak husband to slay the King is in Shakespeare's grandest style. She exclaims joyfully, at meeting and congratulating him on his new distinctions in due course —
"Great Glamis, worthy Cawdor!
Give solely sovereign sway and masterdom." To this prospect of the somewhat doubtful joys and delights of royalty, Macbeth at first makes a rather cold or disappointing reply:
"We will speak further."And she boldly if not enthusiastically rejoins, noticing his depressed look:
Perhaps the most morally affecting scene in the whole play is where Macbeth, while still innocent and not ungrateful to his kind sovereign, almost begs his wife to let him abandon the assassination scheme. But she is thoroughly determined, using her influence over him with far more fiendish purpose and success than the witches had attempted to do. For, even after his interview with them, he retains some touch of right feeling, of which she never shows the least sign; and he gradually yields completely to her wishes and persuasion."Macbeth. We will proceed no further in this business:
As soon as Macbeth thinks of murdering Duncan, he says to Banquo, "Let's talk about this confidentially."This happens again before the dagger scene. However, Shakespeare's Banquo onlybecomes Macbeth's accomplice by his acquiescence afterwards.
Macbeth Character Analysis Essay
Macbeth deals with the fictionalancestors of the Stuart line (Banquo, Fleance) and presents Banquomore favorably than did the play's sources. (In Holinshed,Banquo is Macbeth's active accomplice.) The procession of kingsends with a mirror (probably held by Banquo rather thananother king, as in some notes.)James could see himself, thus becoming part of the action. Macbethsays he sees more kings afterwards. Shakespeare has turned thenature spirits of his sources into witches for thewitch-hunting king's enjoyment.
Character Analysis Essay On Macbeth
and shrinks from the boldness with which she presents his own thoughts to him. With consummate art she at first uses as incentives the very circumstances, Duncan's coming to their house, &c. which Macbeth's conscience would most probably have adduced to her as motives of abhorrence or repulsion. Yet Macbeth is not prepared:
Character Analysis Essay For Macbeth
3. Mrs. Jameson truly says that Lady Macbeth bears less resemblance to her historical prototype than Cleopatra and Octavia to theirs, and is, therefore, more of Shakespeare's own creation. "She revels, she luxuriates in her dream of power" ("Characteristics of Women "). Mrs. Jameson thinks that her ambition is more for her husband's sake than her own; yet her words and conduct scarcely warrant this assumption.