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This essay compares four editions of the book , by the Dominican author and politician Joaquín Balaguer. The book, a celebration of Santo Domingo's monumental architecture, evokes the of the romantic poet who strolls down the streets of an ancient city admiring the remnants of the past. A closer examination, however, reveals a text deeply invested in the monumentalizing of violence—a text that portrays the dictator Rafael Leónidas Trujillo as the savior of the nation. Moreover, the metaphorical stroll that the reader is invited to take reenacts the movement of history in order to justify the 1937 massacre of thousands of Haitians living in Dominican territory.

This essay compares four editions of the book Guía emocional de la ciudad romántica, by the Dominican author and politician Joaquín Balaguer. The book, a celebration of Santo Domingo’s monumental architecture, evokes the topos of the romantic poet who strolls down the streets of an ancient city admiring the remnants of the past. A closer examination, however, reveals a text deeply invested in the monumentalizing of violence—a text that portrays the dictator Rafael Leónidas Trujillo as the savior of the nation. Moreover, the metaphorical stroll that the reader is invited to take reenacts the movement of history in order to justify the 1937 massacre of thousands of Haitians living in Dominican territory.

This essay compares four editions of the book Guía emocional de la ciudad romántica, by the Dominican author and politician Joaquin Balaguer. The book, a celebration of Santo Domingo’s monumental architecture, evokes the topos of the romantic poet who strolls down the streets of an ancient city admiring the remnants of the past. A closer examination, however, reveals a text deeply invested in the monumentalizing of violence—a text that portrays the dictator Rafael Leónidas Trujillo as the savior of the nation. Moreover, the metaphorical stroll that the reader is invited to take reenacts the movement of history in order to justify the 1937 massacre of thousands of Haitians living in Dominican territory.

This essay compares four editions of the book Guía emocional de la ciudad romántica, by the Dominican author and politician Joaquín Balaguer

Poet, politician, lawyer and essayist, he was born in Navarrete on September 1, 1906 and died in Santo Domingo on July 14, 2002. He was President of the Dominican Republic seven times. He was the son of Puerto Rican Joaquin Balaguer Lespier and Dominican Carmen Celia Ricardo. He completed his primary and middle school at the Escuela Paraguay, in Santiago de los Caballeros, under the mentorship of Juan Tomas Lithgow, and his secondary school at the Escuela Normal Teorica, in Santiago.

Embassy of the Dominican Republic, in the United States

Juan Bosch, president of the republic in 1963, was also one of the most distinguished Dominican writers of the mid-20th century, a well known as a novelist, short-story writer and essayist. Joaquín Balaguer, the republic's president from 1986 to 1996, was also an accomplished writer on many topics. Much of the best-known Dominican writing today comes from Dominicans who have emigrated. Julia Alvarez, who moved with her family from the Dominican Republic to New York City at the age of 10, has written about the collision of the two cultures in such works as the novel How the Garcia Girls Lost Their Accents (1991) and the children's book How Tía Lola Came to Stay (2001).

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