There was an article on itself. Mostly his political commentary was reserved for other vehicles, but included was a "Character of the Late ", a scathing characterisation of the recently deceased former Prime Minister. Written in 1806, Hazlitt liked it well enough to have already had it printed twice before (and it would appear again in a collection of political essays in 1819).
Early in 1817, forty of Hazlitt's essays that had appeared in in a regular column called "The Round Table", along with a dozen pieces by Leigh Hunt in the same series, was . Hazlitt's contributions to were written somewhat in the manner of the periodical essays of the day, a genre defined by such eighteenth-century magazines as and .
For relief from all that weighed on his mind, Hazlitt became a passionate player at a kind of similar to the game of (a type of handball of which he was a fan) in that it was played against a wall. He competed with savage intensity, dashing around the court like a madman, drenched in sweat, and was accounted a good player. More than just a distraction from his woes, his devotion to this pastime led to musings on the value of competitive sports and on human skill in general, expressed in writings like his notice of the "Death of John Cavanagh" (a celebrated Fives player) in on 9 February 1817, and the essay "The Indian Jugglers" in (1821).
Other editors of Hazlitt include Frank Carr (1889), D. Nichol Smith (1901), (1913), Will David Howe (1913), Arthur Beatty (1919?), Charles Calvert (1925?), A. J. Wyatt (1925), Charles Harold Gray (1926), G. E. Hollingworth (1926), Stanley Williams (1937?), R. W. Jepson (1940), Richard Wilson (1942), Catherine Macdonald Maclean (1949), William Archer and Robert Lowe (1958), John R. Nabholtz (1970), Christopher Salvesen (1972), and R. S. White (1996).
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His works having fallen out of print, Hazlitt underwent a small decline, though in the late 1990s his reputation was reasserted by admirers and his works reprinted. Two major works then appeared, by in 1998 and by in 2000. Hazlitt's reputation has continued to rise, and now many contemporary thinkers, poets, and scholars consider him one of the greatest critics in the English language, and its finest essayist.
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