An essay or paper on Samuel Richardson's Pamela


Description : 'I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach.' (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. Thesame themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation,epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton'sLife of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts.

Description : Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Munster (Englisches Seminar), course: Samuel Richardson, language: English, abstract: By its publication, the novel Pamela" became one of the most popular contemporary books of that time. One of the reasons for the enormous success of "Pamela" might have been that more and more women got interested in literature, especially in romantic novels or religious works. All in all, the era was dominated by a commercialization of literature, the rise of the realism and of the moralistic-didactic intentions, which implicated a change of the recipients of literature. Moreover, it entailed a decline of the aristocratic ideals and a rise of the lower middle class and its moral concepts . Also characteristic for that era, as already mentioned, are the so-called "conduct books," that aimed to educate the reader in the comportment in social life. Richardson, who was part of the lower middle class, with his novel "Pamela" is completely in step with the social spirit of that time. The topic of a young girl who is anxious of keeping her virtue is not new, but Richardson added this attribute to a servant girl, which is, even for that time, quite exceptional. "Servant girls (...) constituted a fairly important part of the reading public, and they found it particularly difficult to marry. (...) Richardson's heroine symbolised the aspirations of all the women in the reading public who were subject to the difficulty of getting married." Fielding, as a part of the aristocracy, criticized and satirized the over-morality that was presented in Richardson's novel and, furthermore, mocks Richardson's style in various way. Yet, all in all Fielding considers Richardsons moralistic and chaste point of view as an ambigious and even dissembling furtiveness."

Description : Presents eighteenth-century English author Samuel Richardson's epistolary novel 'Pamela,' about a teenage servant who tries desperately to keep her virtue as her master tirelessly attempts to despoil her; and includes a scholarly introduction, a textual chronology, and a selected bibliography.


Pierce, J. B. (2001). Pamela's Textual Authority. Passion and Virtue: Essays on the Novels of Samuel Richardson. Ed. David Blewett. Toronto UP: Toronto, 8-16. Print.

Free Essays on Pamela Samuel Richardson through

Samuel Richardson's is a captivating story of one young woman's rebellion against the social order, edited by Peter Sabor with an introduction by Margaret A. Doody in Penguin Classics.
Fifteen-year-old Pamela Andrews, alone in the world, is pursued by her dead mistress's son. Although she is attracted to Mr B, she holds out against his demands and threats of abduction and rape, determined to protect her virginity and abide by her moral standards. Psychologically acute in its explorations of sex, freedom and power, Richardson's first novel caused a sensation when it was published, with its depiction of a servant heroine who dares to assert herself. Richly comic and full of lively scenes and descriptions, contains a diverse cast of characters ranging from the vulgar and malevolent Mrs Jewkes to the aggressive but awkward country squire who serves this unusual love story as both its villain and hero.
In her introduction, Margaret Ann Doody discusses the epistolary genre of novels and examines the role of women and class differences. This edition, based on the 1801 text and incorporating corrections made in 1810, makes Richardson's final version of the two-volume generally available for the first time.
Samuel Richardson (1689-1761) was born in Derbyshire, the son of a joiner. He received little formal education, but in 1706 was apprenticed to a London printer, going on to become a leading figure of the trade in the capital. originated as a volume of model letters for unskilled letter-writers, but as Richardson became more fascinated by the characters in his letters than the letters themselves, the germ of a novel began to emerge. Upon its publication in 1740 became a national sensation.
If you enjoyed , you might like Daniel Defoe's , also available in Penguin Classics.

Pamela by Samual Richardson essays

Essays and criticism on Samuel Richardson's Pamela - Critical Essays

Description : In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."

Samuel Richardson's Novel Pamela Essays - 4442 …

Description : The controversy that immediately followed the bestselling success of Samuel Richardson's first novel, Pamela (1740), of the early 1740s remains a landmark of literary history. The debate over Pamela and its continuation, in which Richardson himself played a prominent part, involved a fascinating variety of figures and this collection brings together for the first time all the key sources for the contemporary debate.

This paper explains that Samuel Richardson's "Pamela", written more than 200 years before Helen Fielding's "Bridget Jones's Diary", yields surprising parallels.

During the half of the eighteenth century, we notice the real beginning of the English novel. Although sometimes Defoe’s Robinson Crusoe is called the first English novel, it lacks some essential qualities. More appropriately Samuel Richardson’s Pamela is the first English novel. Richardson discovered his talent as a novelist at the age of fifty-one. Pamela is written in the form of a series of letters. It contains a simple love story of a virtuous servant girl who eventually married her master. Richardson’s next novel Clarissa Harlow appeared in eight volumes. It is his masterpiece, which is far better than the previous one. The plot of this novel is a remarkable achievement.

Pamela: Or Virtue Rewarded study guide contains a biography of Samuel Richardson, literature essays, quiz questions, major themes, characters, and a …

Samuel Richardson has often been termed the founder of the English novel. Like most such titles, this one is an oversimplification of a complex issue and one that has been particularly disputed by students of Richardson’s contemporary, Daniel Defoe, who is also justly noted for his important contributions to the genre. The importance of Richardson’s position in the tradition of the novel, however, is undeniable and is based on his redefinition of the form, through his success in Pamela in dealing with several of the major formal problems that Defoe and others had left unsolved.