The accumulation of such devices, however, soon had the effectof telescoping, even while separating, surface and depth. Theprocess of flattening seemed inexorable, and it became necessaryto emphasize the surface still further in order to prevent itfrom fusing with the illusion. It was for this reason, and noother that I can see, that in September 1912, Braque took theradical and revolutionary step of pasting actual pieces of imitation-woodgrainwallpaper to a drawing on paper, instead of trying to simulateits texture in paint. Picasso says that he himself had alreadymade his first collage toward the end of 1911, when he glued apiece of imitation-caning oilcloth to a painting on canvas. Itis true that his first collage looks more Analytical than Braque's,which would confirm the date he assigns it. But it is also truethat Braque was the consistent pioneer in the use of simulatedtextures as well as of typography; and moreover, he had alreadybegun to broaden and simplify the facet-planes of Analytical Cubismas far back as the end of 1910.
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Summing up, Pablo Picasso is a unique artist who made an invaluable contribution to the development of modern art. All his works are the great examples of avant-garde art. Picasso was one of the founders of cubism, which is characteristic to many of his paintings. Cut lines, geometric figures, broken reality and abstract elements are few of the main features of Picasso’s works, by means of which the artist managed to transmit his inner world, feelings and emotions. The analysis of his two prominent paintings, (1907) and (1937) helps us to understand how can an artist change and develop under the influence of social and political events, self-development and age-progress.
“Art is a lie that makes us realize the truth.” Picasso made over 50000 artworks in his lifetime. This had him widely known. His artworks are categorized into periods. For different times in his life gave him different muses. The most famous and accepted periods were: the Blue Period (1901-1904), the Rose Period (1905-1907), the African-influenced Period (1908-1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919). Picasso’s Blue Period included melancholy paintings in shades of blue and blue-green, showing sadness. Many paintings were of gaunt mothers with children date. His paintings were also influenced and
PICASSO’S CUBIST PHASE - Essays - John Szoke
Braque introduced the use of stencilled lettering and also experimented with mixing sand and saw dust to his paint to create interesting textures. He then introduced the effect of wood graining. In 1912 Picasso then progressed by producing the first cubist collage "Still Life with Chair Caning" when he incorporated a piece of oil cloth machine printed with a caning like pattern. The work was then...
Essay about Picasso and Cubism - 982 Words | Bartleby
... Cubist painting became freer and more decorative. Yet, due to the war Cubism went on a temporary break. Picasso, Braque and Gris were isolated from each other so a break was predictable. Nevertheless Picasso didn't abandon Cubism ...
Elliotbiotech - Pablo Picasso Cubism Essay Writing
In this phase alone does Gris's art, in my opinion, sustainthe main tenor of Cubism. Here, at last, his practice is so completelyinformed by a definite and steady vision that the details of executiontake care of themselves. And here, at last, the decorative istranscended and transfigured, as it had already been in Picasso's,Braque's and Léger's art, in a monumental unity. This monumentalityhas little to do with size. (Early and late, and whether in Picasso'shands or Braque's, Cubism has never lent itself with entire successto an outsize format. Even Léger's rather splendid bigpictures of the late 1910S and early I920S do not quite matchthe perfection of his smaller scale Cubism of 1910-1914.) Themonumentality of Cubism in the hands of its masters is more aquestion of a vision and attitude--an attitude toward the immediatephysical means of pictorial art--thanks to which easel paintingsand even "sketches" acquire the self-evident self-sufficiencyof architecture. This is as true of the Cubist collage as of anythingelse in Cubism, and perhaps it is even truer of the collage thanof anything else in Cubism.