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Betrayal Essay. Submitted by: MichaelaHulsey; on October 24, 2011; Category: English; Length: 702 words; Barn Burning Family Loyalty And Betrayal; Betrayal.

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To a moment we are only characters. In this moment: David, the long-term boyfriend (now). Moa, at first betrayer, then , then you (then). There is the self who perceives, creates, and ultimately longs for the deep and endless fall of vertigo (lost between the now and then). And there is Love, so mysterious and evasive that I sometimes believe it is a character, alive, weaving tendrils around us (love plays with time).

Friendship and Betrayal | Teen Opinion Essay | Teen Ink

To say this is not to idealize the working class. In the long struggle that has followed the Russian Revolution it is the manual workers who have been defeated, and it is impossible not to feel that it was their own fault. Time after time, in country after country, the organized working-class movements have been crushed by open, illegal violence, and their comrades abroad, linked to themin theoretical solidarity, have simply looked on and done nothing; and underneath this, secret cause of many betrayals, has lain the fact that between white and coloured workers there is not even lip-service to solidarity. Who can believe in the class-conscious international proletariat after the events of the past ten years? To the British working class the massacre of their comrades in Vienna, Berlin, Madrid, or wherever it might be seemed less interesting and less important than yesterday's football match. Yet this does not alter the fact that the working class will go on struggling against Fascism after the others have caved in. One feature of the Nazi conquest of France was the astonishing defections among the intelligentsia, including some of the left-wing political intelligentsia. The intelligentsia are the people who squeal loudest against Fascism, and yet a respectable proportion of them collapse into defeatism when the pinch comes. They are far-sighted enough to see the odds against them, and moreoever they can be bribed — for it is evident that the Nazis think it worth while to bribe intellectuals. With the working class it is the other way about. Too ignorant to see through the trick that is being played on them, they easily swallow the promises of Fascism, yet sooner or later they always take up the struggle again. They must do so, because in their own bodies they always discover that the promises of Fascism cannot be fulfilled. To win over the working class permanently, the Fascists would have to raise the general standard of living, which they are unable and probably unwilling to do. The struggle of the working class is like the growth of a plant. The plant is blind and stupid, but it knows enough to keep pushing upwards towards the light, and it will do this in the face of endless discouragements. What are the workers struggling for? Simply for the decent life which they are more and more aware is now technically possible. Their consciousness of this aim ebbs and flows. In Spain, for a while, people were acting consciously, moving towards a goal which they wanted to reach and believed they could reach. It accounted for the curiously buoyant feeling that life in Government Spain had during the early months of the war. The common people knew in their bones that the Republic was their friend and Franco was their enemy. They knew that they were in the right, because they were fighting for something which the world owed them and was able to give them.

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The Use of Letters in King Lear Essay; The Use of Letters in King Lear characters' loyalty and betrayal in his play King Lear.

The first example of betrayal that I have given is to be unfaithful. In my eyes, this is probably the worst form of betrayal. I think this because I have been cheated on and I know that the feeling one gets when he or she finds out about the affair is absolutely heart wrenching. At first, I went to pieces when I found out, but then I got over it and I forgave my boyfriend (at that time). Big mistake. He never stopped lying to me, and to this day he still does ,even though we aren't together anymore. I guess I should have thought twice and listened to the popular saying "Once a cheater, always a cheater."

Trust vs. Betrayal | Teen Opinion Essay | Teen Ink

The next example that I choose to represent betrayal was to deliver something to an enemy by treachery. Many people have experienced this, but the largest upset was most likely when the Japanese bombed Pearl Harbor. The Japanese government was trying to side with the Germans during World War II. The Japanese told the United States that they would not do anything, but then they bombed us, leaving our country open for anything that could come our way from the Germans. I think that is betrayal because the Japanese lied to our country. Although, I guess things turned out for the better in the end; our economy went up slightly and the Japanese were avenged...twice.

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Betrayal is instantly recognizable as a Pinter play in its use of dialogue and dramatic pauses, its sense of something of importance implied in casual conversations, and the arch wit that is often present in surprising and unexpected moments. The nameless dread that permeates so many of Pinter’s plays is often the result of emotional alienation on the part of his characters. Alienation is a recurring theme in post-World War II drama and is the state in which Jerry, Emma, and Robert find themselves as the play opens. The play itself proved popular with audiences, perhaps because of its accessibility, and was made into a film in 1983, with a screenplay by Pinter. It is a work that conveys Pinter’s originality and brilliance, and it confirms his position as one of the theater’s most important modern writers.

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Despite its unusual dramatic structure, Betrayal is one of Harold Pinter’s least enigmatic and most accessible plays. Pinter is best known for witty dramas in which a pervasive, often unnameable sense of menace dominates the story. Betrayal retains the wit and the drama, but opts for characters and dramatic action that are far more straightforward than is generally typical of its author’s work. In such plays as The Birthday Party (pr. 1958), The Caretaker (pr., pb. 1960), and The Homecoming (pr., pb. 1965), Pinter structures his stories around groups of characters whose complex interactions are both fascinating and mysterious in their implications. Betrayal, on the other hand, explores its subject through characters whose actions are familiar to the audience and therefore more easily understood. Pinter’s plots often feature the disruption of the status quo in a family or a relationship by the introduction of a new element in the form of a stranger or an outsider—a theme that exists in Betrayal to the extent that Jerry’s desire for Emma disrupts both her marriage and his friendship with her husband. Beyond this, however, the plot has little in common with Pinter’s usual story lines.